• MFA Photography, San Francisco Art Institute 2004
World Area Of Focus:
• Western Europe/European Union (EU) 50%-74%
Languages:
• Italian (professional proficiency)
Specialization:
U.S.–Mexico Border: The Rio Grande Valley, East Texas Umbria, Italy: Textile production and history handmade and mechanical
Dissertations and Theses Supervised in Past 5 Years:
1
Relevant Courses Taught:
• WMST 068 Assumed Identities: Performance in Photography • WMST 202 Introduction to feminist Thought • WMST 230 Women in Contemporary Art: A Field Study • WMST 232 Identity in Transit: Performing the Seld Through Photography • WMST 325 Art and Social Change: Borders
Recent Publications:
• 2016 Il Sangue Delle Donne: Tracce di rosso sul panno bianco, Edited by Manuela De Leonardis, essays on the group exhibition by Ressella Alessandrucci, Manuela De Leonardis and Alberto Massarelli, My essay on pages 24 and 25. Casa Internatzionale Delle Donne.
• 2016 Senderos de violencia. Latinoamérica y sus narrativas armadas, cover photo, Blue Circle Intervention, Laredo, Texas, edited by Estrada, Oswaldo, Valencia: Albatros (Serie Palabras de América), 2015. 368pp.
• 2016 Susan Harbage Page on Creating the Anti-Archive of the U.S.¬Mexico Border, IAH Podcast, Institute for Arts and Humanities, University of North Carolina, Chapel Hill
• 2016 2016 Global Mobilities: Refugees, Exiles, and Immigrants in Museums and Archives,
• 2016 Amy K. Levin editor, Residues of Border Control, Photo Essay by Susan Harbage Page, Text by Inéz Valdez. Abingdon, Oxford: Routledge, forthcoming.
• 2016 “Precarities,” Southern Cultures Journal, Center for the Study of the American Summer, 2015, Images on Cover, Pages 27, 141, Artist Statement page 141, additional photos on app website.
• 2016 2016 Disability and Art History, collected essays, Artists and Muses: Peter’s World and Other Photographs by Susan Harbage Page, essay by Ann Millett-Gallant, collected essays, Ashgate, forthcoming.
• 2016 [Im]Perfezione, Il Merletto: tradizione e creativitá, essay “Imperfect is Perfect” by Susan Harbage Page, pages 129-131, Museo del Ricamo e del Tessile, Valtopina.
• 2016 Saint Lucy.Com, The Sevens, Photographs and essay by Susan Harbage Page: Postcards from Home. Online Publication
• 2015 Art Against the Wall, essay by Stephanie Elizondo Griest, four photographs by Susan Harbage Page published, Oxford American, ISSN 1074-4525
• 2014 Cake, La Cultura del dessert, tra tradizione Araba e Occidente / The dessert culture between Arab and Western Tradition, Curated by Manuela De Leonardis, Rome, Italy, Published by Postcart, Rome, Italy, ISBN 978-88-98391-08-0
• 2014 L’amore in un Harmony. E una mostra alla Temple University, by Lori Adragna, March 3, 2014, Il Messagero.it
• 2014 Staging American Memories Conference, Staging Memories of Migration: Susan Harbage Page’s U.S.-Mexico Border Projects, 2007-2013, Audrey Goodman, Georgia State University, Toulousse, France, March 13-14, 2014.
• 2014 Leonardis, Gallery of Art, Temple University, Rome, Italy, February, Con Il Patrocinio di Roma Capitale , 2014
• 2014 http://www.youtube.com/watch?v=pIYJq1GrTpA&list=PLwpIhcP1Fqo785p7UC_yoWp4qK-fn0_b8
• 2014 The Herald Sun, Three views of a Connected Village, by Blue Greenberg, Durham, North Carolina, August 15, 2013
• 2014 La Grande Illusione/The Grande Illusion, essay by Manuela De
• 2014 Susan Harbage Page on the U.S.-Mexico Border, Produced by the Franklin Humanities Center at Duke University, Durham, North Carolina, 2013
• 2014 The Charlotte Observer, McColl Center for Visual Art expands its vision to social action, Theodon James, November 20, 2013.
• 2007 Susan Harbage Page: Postcards from Home (ISBN 978-0-9774195-1-7), 2007
• 2003 Susan Harbage Page: The Tie That Binds, (ISBN 0-9603246-7-4), 2003
• 2001 Standing Still: ATA Center for Contemporary Art - Sofia, (ISBN 954-488-061-5), 2001.
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