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Lyneise Williams

Title: Associate Professor, Department of Art, UNC-CH
Department/School: Art & Art History , CB#3405
Telephone: (919) 962-0737
Email:williale@email.unc.edu
Appointed Year: 2006
Education:• PHD Art, Yale University 2004
World Area Of Focus:• Latin America 75%-99%
Languages:• French (limited working proficiency)
• Spanish (limited working proficiency)
Specialization:Latin American art, African diaspora art, museum studies
Relevant Experience:• Overseas Experience: Argentina, Panama, Uruguay
Distinctions:• 2012-2012 Recipient, University Research Fellowship
• 2012-2012 recipient, Institute for African American Research Fellowship
• 2011-2011 recipient, UNC Institute for the Studies of the Americas Research Fellowship
• 2008-2008 Experiential Education Course Development Award
• 2007-2007 Robertson Scholars Favorite Professor
• 2007-2007 Vice Chancellor Humanities Fellowship
• 2007-2007 Christianity and Culture Minor Course Development Award for Religious Art and Architecture in Latin America course
• 2007-2007 Spray-Randleigh Research Fellowship
• 2006-2006 Ford Foundation Minority Dissertation Fellowship
• 2004-2006 Carolina Postdoctoral Program for Faculty Diversity
• 2002-2002 American Association of University Women, American Dissertation Fellowship Award
• 2002-2002 Summer Department of the History of Art Travel Grant, Yale University
• 2001-2001 Summer John Enders Fellowship, Yale University
• 2001-2002 University Fellowship, Yale University
Dissertations and Theses Supervised in Past 5 Years: 7
Relevant Courses Taught:• ARTH 157 Introduction to Latin American Visual Culture
• ARTH 267 Latin American Modernisms
• ARTH 352 Religious Architecture and Visual Culture in Latin America
• ARTH 554 Imagining Otherness in Visual Culture in the Americas
Recent Publications:• 2017 “Envisioning Erasure: Representations of Pain in Pedro Figari’s Court Sketches.” In Black Bodies in Pain: Race, Sentience and Visual Culture. University of Minnesota Press 2015 FORTHCOMING
• 2015 “The Glorious One-Two Punch: Celebrity, Masculinity, and boxer Alfonso Teófilo Brown in Early Twentieth-Century Paris” in Migrating the Black Body: African Diaspora and Visual Culture, eds. Heike Raphael Hernández and Leigh Raiford. Chicago: University of Illinois Press. 2015 forthcoming
• 2010 A Different Shade of Modernism: Pedro Figari’s Representations of Black Bodies. University of North Carolina Press 2010
• 2008 “Performing ‘Africa’ in Uruguay: Pedro Figari’s Representation of Candombe.” 2008
• 2008 “Envisioning Erasure: Representations of Pain in Pedro Figari’s Court Sketches.” 2008
• 2007 “Black, Blue and Brown: Representations of ‘Panama Al’ Brown from 1920-1935.” 2007
• 2005 “Afro-Asiatic Allegories: A Conversation with Iona Rozeal Brown.” Callaloo. 2005.
• 2001 Exhibition Review for William Zimmer’s “Out of Africa: Intriguing Objects and Implications.” The New York Times. 2001.
• 2001 Exhibition review for “Call and Response: Journeys of African Art.” Yale University Art Gallery. 2001.
• 2000 “Jean- Michel Basquiat: Not Just Another Dipped Barbie.” Cultura Visual. 2000.
• 2000 “Traveling Concepts: Making and Remaking Culture” Call and Response: Journeys of African Art. New Haven: Yale University Art Gallery. 2000.

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