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Stefan Litwin

Title: George C. Kennedy Distinguished Professor
Department/School: Department of Music
Email:slitwin@email.unc.edu
Appointed Year: 2008
World Area Of Focus:• Western Europe/European Union (EU) 25%-49%
Languages:• German (native/bilingual proficiency)
Specialization:piano interpretation and composition
Relevant Experience:Studied in Switzerland; Guest Lectuer and performer across Germany and Austria; Fellow at the Wissenschaftskolleg zu Berlin 2003-2005; Distinguished Artist in Residence at Christ College, Cambridge University, UK, 2005-06.
Distinctions:Distinguished Artist in Residence, Christ's College, Cambridge University, UK (2005-2006), Fellow at Wissenschaftskolleg zu Berlin (2003-2005)
Relevant Courses Taught:Sounds of War; 20th Century Analysis; Music and Politics
Recent Publications:• 2015 »…, die Hölle aber nicht.« Music to Imre Kertész
• 2015 Essay: »Nie wieder Krieg! Zu einer musikalischen Ästhetik des Widerstands«
• 2015 Label: Es-Dur (Hamburg) (2014)
• 2015 CD with works by Litwin, Webern, Klein and Zimmermann / with Ensemble Resonanz
• 2015 In: Eisler-Mitteilungen / April 2015 / International Hanns Eisler Society; Edited by Peter Deeg
• 2014 El Once (Book with 2 CDs)
• 2014 Music by Shostakovich, Janacek, Eisler and Litwin
• 2014 Sonatas y destrucciónes (CD)
• 2014 Beethoven op. 106 (hammerklavier)H
• 2014 Music by Litwin, and Rzewski
• 2008 »Die kreative Lücke« in: »In Ketten Tanzen«. Übersetzen als interpretierende Kunst. Herausgegeben von Gabriele Leupold und Katharina Raabe, Wallstein Verlag (2008)»Abschied von der Utopie?«
• 2006 Zur Radikalität des Alters am Beispiel von Beethovens Klaviersonate op. 101 in: Radikalität des Alters, Prosa – Lyrik – Essay, Valerio (4/2006)
• 2001 2001/1995: »Zu Sinn, Form und Grenze der musikalischen Transkription« in: Schnittpunkte, Pfau-Verlag (1998)»Zu Schönbergs Ode to Napoleon« in: Musik-Zonzepte 112/113 (2001) and in: Stil oder Gedanke?, Pfau-Verlag (1995)
• 1999 »Musik als Geschichte – Geschichte als Musik« Arnold Schönbergs Klavierkonzert op. 42 in: Dissonanz, Zürich (2/1999)
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